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MURDER ON THE ROCKS

Who Is Emma Stone?

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In the fluorescent light of the precinct, Detective Emma Stone moves with an economy of motion that betrays nothing of her inner world. Her dark hair, often secured in a practical knot, frames a face that reveals little but observes everything. Colleagues have learned that when Stone speaks—which isn't often—the room quiets naturally, as her insights cut through the noise with surgical precision. Her case notes are models of clarity, filled with details others overlook and connections that seem impossible until she explains them with irrefutable logic.

But on Friday nights, a transformation occurs. At the Blue Note jazz club, patrons who know nothing of homicide investigations or witness interviews witness a different Emma entirely. Her fingers dance across piano keys with both technical precision and soulful abandon—the only time she allows herself full expression. The same observant eyes that catalog crime scenes now close in moments of pure musical release, her body swaying slightly as improvised melodies pour forth. Regulars know not to interrupt when she's in this state—it's sacred, this weekly ritual of expelling the darkness she absorbs through the week.

Few realize this intensely private detective is the daughter of a fire-and-brimstone preacher whose rigid worldview she rejected but whose moral compass she secretly internalized. Her rebellion took the form of joining law enforcement rather than following her father's religious path, yet she carries an unspoken faith that surfaces in quiet moments of reflection and in her unwavering sense of justice.

Romance remains her most carefully guarded territory. Emma's heart is a fortress with walls built from past disappointments and reinforced by the daily witnessing of humanity's capacity for betrayal. When she does speak of love, it comes as philosophical musings between sets at the Blue Note, abstract enough to maintain emotional distance yet profound enough to reveal the passionate soul she conceals behind her professional reserve.

Men approach her with a mixture of fascination and trepidation. Some mistake her quietness for coldness, others see only the beautiful woman at the piano and miss the formidable mind behind her eyes. The particularly foolish ones attempt to impress her with bravado or possessiveness, not understanding that any attempt to capture or contain Emma only triggers her instinct for flight.

Agent Jeremiah Steele recognizes something in Emma that others miss—a kindred spirit whose protective armor has been earned through experience rather than manufactured from fear. He understands intuitively that pursuing her would be futile; Emma Stone cannot be chased or trapped or won. Instead, she must be given space to approach on her own terms, with patience that matches her caution. In their professional exchanges, laden with unspoken understanding, he demonstrates respect for her boundaries while letting her glimpse enough of his own complex interior to intrigue her.

What develops between them begins almost imperceptibly—a shared glance that lingers a moment longer than necessary, a coffee appearing on her desk prepared exactly how she likes it, his unexpected appearance in the back corner of the Blue Note during her most vulnerable performances. Emma notices everything, including the careful distance Steele maintains, allowing her the freedom that is as essential to her as oxygen.

For Emma Stone is indeed a rare bird—one who soars highest when uncaged, whose song is most beautiful when freely given, and whose trust, once earned, becomes an unbreakable bond.

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© 2014 NGP
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